A Meticulous Review Of Martin (2013)
Sunday, 21 April 2024
Misconstruing The Material As Semiotic
Friday, 8 March 2024
Prioritising The Perspective Of Tagging
Martin (2013: 75-6):
Blogger Comments:
Wednesday, 7 February 2024
Confusing Ranks
Saturday, 20 January 2024
Mistaking Thing For "Focus"
Martin (2013: 65):
Some examples [of Martin's Focus function] are given below.
… is the entity that is functioning as participant in the transitivity structure of the clause …
the front of the stage is wider than the back.
an album is a collection of songs.
a chapter of the book was removed by censors.
the length of the stage is 9 metres
a Nobel Laureate is typically a genius of a writer
ragtime is a kind of jazz
the front of the stage is Pre-Deictica collection of songs is complex Numerative: collectivea chapter of the book is Pre-Numerative: partitivethree of the songs is Pre-Numerative: quantitivethe length of the stage is Thinga genius of a writer is Thinga kind of jazz is Thing
the front of the stage is extended Numerative: partitive: faceta collection of songs is extended Numerative: collective: aggregatea chapter of the book is extended Numerative: partitive: portionthree of the songs is embedded Numerativethe length of the stage is Thinga genius of a writer is Thinga kind of jazz is extended Numerative: collective: variety
Thursday, 23 November 2023
Devising A System 'From Below' Instead Of 'From Above'
Tuesday, 21 November 2023
Confusing Function With Form
Martin (2013: 40):
Blogger Comments:
To be clear, in SFL Theory, features of systems, such as the MOOD system, are not classes. It is form, not function, that is categorised into classes; e.g. word classes, group classes.
Friday, 13 October 2023
Outline Of Chapter 4
Saturday, 7 October 2023
Mistaking A Lower Rank Syntagm For A Higher Rank Function Structure
Sunday, 1 October 2023
Seriously Misunderstanding The Sign In Relation To Linguistics And Semiotics
Wednesday, 27 September 2023
Misunderstanding The Notion Of A Stratified Semiotic
Sunday, 17 September 2023
Misunderstanding The Saussurean Sign
Martin (2013: 2-3):
Blogger Comments:
[1] To be clear, in the passages just cited, Saussure was not concerned with the sign as signified and signifier, but with language as thought and sound; see the previous two posts.
[2] This "important implication" does not follow, even if Saussure had been concerned with the sign instead of language. To be clear, the signified and the signifier are distinct levels of abstraction that together constitute the sign, like meaning and form, and as such, can be referred to as distinct levels. What "matters in linguistics", in this context, is the opposition of the sign to signified and signifier, and the opposition of the signified and signifier to each other. Saussure (1959: 67):
Ambiguity would disappear if the three notions involved here were designated by three names, each suggesting and opposing the others. I propose to retain the word sign [signe] to designate the whole and to replace concept and sound-image respectively by signified [signifié] and signifier [signifiant] ; the last two terms have the advantage of indicating the opposition that separates them from each other and from the whole of which they are parts.
Moreover, this is the principle of valeur applied to the words of the theory itself. The valeur of the word 'sign' is its relation to the words 'signified' and 'signifier', and vice versa, and the valeur of the words 'signified' and 'signifier' is their relation to each other.
Friday, 15 September 2023
Mistaking Saussure's Rejected Model For Saussure's 'Sign' [2]
Martin (2013: 2):
Blogger Comments:
Again, this is misleading because it is not true. Saussure uses this analogy in arguing against one view of language, not the sign. It appears in the section Language as Organised Thought Coupled with Sound. Whereas both elements of the sign are psychological, the concern here is with relating the psychological (thought) with the physical (sound=phonic substance). Saussure (1959: 112):
The linguistic fact can therefore be pictured in its totality — i.e. language — as a series of contiguous subdivisions marked off on both the indefinite plane of jumbled ideas (A) and the equally vague plane of sounds (B). The following diagram gives a rough idea of it:
The characteristic role of language with respect to thought is not to create a material phonic means for expressing ideas but to serve as a link between thought and sound, under conditions that of necessity bring about the reciprocal delimitations of units. Thought, chaotic by nature, has to become ordered in the process of its decomposition. Neither are thoughts given material form nor are sounds transformed into mental entities; the somewhat mysterious fact is rather that "thought-sound" implies division, and that language works out its units while taking shape between two shapeless masses. Visualise the air in contact with a sheet of water; if the atmospheric pressure changes, the surface of the water will be broken up into a series of divisions, waves; the waves resemble the union or coupling of thought with phonic substance.
Wednesday, 13 September 2023
Mistaking Saussure's Rejected Model For Saussure's 'Sign' [1]
Martin (2013: 2):
I have included only the elements thought to be essential, but the drawing brings out at a glance the distinction between the physical (sound waves), physiological (phonation and audition), and psychological parts (word-images and concepts). Indeed, we should not fail to note that the word-image stands apart from the sound itself and that it is just as psychological as the concept which is associated with it.
Language can also be compared with a sheet of paper: thought is the front and the sound the back; one cannot cut the front without cutting the back at the same time; likewise in language, one can neither divide sound from thought nor thought from sound; the division could be accomplished only abstractedly, and the result would be either pure psychology or pure phonology.
It will be seen that this misunderstanding is the source of Martin's misunderstanding of Saussure's sign in this monograph.



























