Showing posts with label embedded. Show all posts
Showing posts with label embedded. Show all posts

Monday, 22 January 2024

Misrepresenting 'Rankshift' And 'Linker'

 Martin (2013: 65):





Blogger Comments:

[1] To be clear, this misunderstands 'embedded' as a later renaming of 'rankshifted', whereas both terms are current, and present different views of the same phenomenon. For example, a nominal group that is embedded in a nominal group has shifted from group rank to word rank — words being the constituents of groups.

[2] To be clear, the structural analysis misrepresents of as a linker, despite the fact that a linker is a marker of a paratactic relation, and no paratactic relation obtains between the embedded nominal group and what follows. As Halliday & Matthiessen (2004: 333) point out, the 'word of is the generalised marker of a structural relationship between nominals'. In such instances, of is a constituent of the prepositional phrase serving as Postmodifier. Halliday (1994: 196):

Note that in Matthiessen's editions of IFG, the term 'Facet' has been shifted from the embedded Thing to the embedded nominal group as a whole, and from a Pre-Deictic to a Numerative function. Halliday & Matthiessen (2004: 335):


Note also that 'Qualifier' here should read 'Postmodifier'.

Saturday, 20 January 2024

Mistaking Thing For "Focus"

Martin (2013: 65):

Some examples [of Martin's Focus function] are given below.


Blogger Comments:

To be clear, analyses of these structures after Halliday (1985, 1994) have been inconsistent and even self-contradictory. For example, Halliday & Matthiessen (2004: 333, 2014: 394) write that the Thing
… is the entity that is functioning as participant in the transitivity structure of the clause …
If this principle is applied to the examples above, then six of the seven do not include a "Focus" function, as demonstrated by:
the front of the stage is wider than the back.
 an album is a collection of songs.
a chapter of the book was removed by censors.
the length of the stage is 9 metres
a Nobel Laureate is typically a genius of a writer
ragtime is a kind of jazz 

On the other hand, the coverage in Halliday (1985, 1994) is restricted to 'measure' expressions and 'facet' expressions, the latter being an optional alternative approach to Head/Thing conflation. The 'measure' expressions are analysed as complex Numeratives or Pre-Numeratives, and the 'facet' expressions as Pre-Deictics. Halliday (1994: 195-6):

Using the Halliday (1985, 1994) analysis:

the front of the stage is Pre-Deictic
a collection of songs is complex Numerative: collective
a chapter of the book is Pre-Numerative: partitive
three of the songs is Pre-Numerative: quantitive
the length of the stage is Thing
genius of a writer is Thing
kind of jazz is Thing

However, using the Halliday & Matthiessen (2004, 2014) analysis (see previous post):

the front of the stage is extended Numerative: partitive: facet
a collection of songs is extended Numerative: collective: aggregate
a chapter of the book is extended Numerative: partitive: portion
three of the songs is embedded Numerative
the length of the stage is Thing
genius of a writer is Thing
kind of jazz is extended Numerative: collective: variety